"Space becomes intimate, the body fragmented, and the image a quiet site of negotiation between control and vulnerability."
— Mariam Shergelashvili, Curator, 2026
Unarchived Semiotics presents the group exhibition Cartography of Monochrome Feelings at Art Foundation Anagi. The exhibition approaches the relationship between body and space through an intimate, monochrome visual language. Graphic imprints function as cartographic elements, examining territory, spatial presence, and physical–emotional experience as interrelated fields.
Mental pressure and the latent cascade of embodied memory occur across the works of ten artists of different generations and practices. Through reduced palettes, linear graphic structures, and deliberately limited means of expression, the exhibition traces fragile configurations of monochrome feeling and delusional thought. Graphic restraint operates as a site of vibration and intensity, allowing personal sensation to emerge as fluid and non-fixed.
Delusion is approached as a perceptual framework through which spatial, temporal, and semantic relations are reorganized. Each work proposes a specific mode of perception, reconfiguring the relations between space, body, and meaning.
The exhibition foregrounds encoded, micro-utopian experiences embedded in lines, half-figures, surfaces, and minimal gestures. Limitation appears as a partially erased and continuously renewable form.
Mental pressure and the latent cascade of embodied memory occur across the works of ten artists of different generations and practices. Through reduced palettes, linear graphic structures, and deliberately limited means of expression, the exhibition traces fragile configurations of monochrome feeling and delusional thought. Graphic restraint operates as a site of vibration and intensity, allowing personal sensation to emerge as fluid and non-fixed.
Delusion is approached as a perceptual framework through which spatial, temporal, and semantic relations are reorganized. Each work proposes a specific mode of perception, reconfiguring the relations between space, body, and meaning.
The exhibition foregrounds encoded, micro-utopian experiences embedded in lines, half-figures, surfaces, and minimal gestures. Limitation appears as a partially erased and continuously renewable form.